Cyrus has cited Britney Spears and Metallica as musical influences on. She can make country albums galore when she actually is a hard bitten 50-year-old in the meantime if her mercurial muse is telling her to make big-hair-and-rolled-up-jacket-sleeves music, then even if it’s more hit and miss than her last record, the aesthetic is perfectly realised, and she remains without question A Good Thing. 2020 release, the seventh studio album by Miley Cyrus. There’s plenty of drama, the lyrics have real teeth, “Night Crawling” with Idol is a fantastic bit of goth disco Lost Boys sleaze, and there are no stinkers, as such.īut the Eighties-ness of it does sound kind of mannered, and the Ronson-produced “High” – which is the furthest from Simpson / Bruckheimer-type movie soundtracks and the closest to straight up country – is a breath of fresh air in the middle still dramatic but less archly so. The reverbs are big, the sounds are slick, the big single “Midnight Sky” seemingly deliberately references both Fleetwood Mac’s “Little Lies” and Phil Collins’s “In the Air Tonight”, and as if that wasn’t enough both Billy Idol and Joan Jett add guest vocals to really hammer home what the aesthetic is. This time round she’s shifted again: the theme here is the mid Eighties new wave / soft rock interface. And 2018’s Fleetwood-Mac-go-disco Mark Ronson collaboration “Nothing Breaks Like a Heart” was easily her best single to date. Thus her last album, 2017’s heavily country rock-leaning Younger Now, was by far her most consistent (and, incidentally, an infinitely more convincing pivot to rootsiness than Taylor Swift’s recent Pitchfork bait). Even in her teens she had the singing voice of a hard-living, hard-working, roadhouse-touring, bourbon swilling four times divorced 50-year-old, and she’s steadily grown into that voice as she’s dialled down her tendency for athletic showboating and pursuit of ludicrous rave intensity. That said, relative maturity seems to suit her. And while there have been gems at each stage of her career, there have also been quite a few hot messes along the way. Lately, Ive been chasing old dreams Ive spent my time, watching distance grow Patience, Ive been patient trough. In triumph and gratitude I present to you my 7th studio record, Plastic Hearts.Over her six previous albums, she’s swerved through bubblegum pop, EDM, trap, Broadway showstoppers, raging dubstep, faux-lo-fi psychedelic chillwave (with The Flaming Lips in tow), straight country, and the rest. “But it never felt right to release my ‘story’ (each record being a continual autobiography) with a huge chapter missing,” she said, adding: “If it were a chapter in my book I guess I would call it ‘The Beginning’ which usually when something is over we call it ‘The End.’ But it was far from that. Watch: New Singing Lesson Videos Can Make Anyone A Great Singer Hello, the sunny place for shady people A crowded room where nobody goes You can be whoever you wanna be here Oh, I've been living at the Chateau Shouldn't drive but I should really go home I don't even know 'em but they won't leave here Frightened by my own reflection Desperate for a new connection Pull you in but don't you get. She continued, noting that her collaborators were able to salvage most of the music in journals and computers despite the house fire she endured in 2018. Just when I thought the body of work was finished… it was ALL erased. Not just the record with its songs and sounds but my whole f*cking life. “I began this album over 2 years ago,” she wrote on Instagram back in October. Miley hasn’t explicitly revealed whether or not any of these songs were written with a particular someone in mind, but she did tell fans that Plastic Hearts has had quite a journey. Plastic Hearts (Backyard Sessions) Lyrics Gorgeous Lyrics Darkside Lyrics Sleep Tight Lyrics Heaven Lyrics i talk too much Lyrics Family Lyrics Led Me To.
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